presence—one governed not by expansive wall planes but by the careful choreography of limited square footage. In Prospect, where brownstone parlors and renovated row houses demand that every surface justify its visual weight, the dense horizontal ripples and interlaced ribbon striping of Black Mottled Makore compress their energy into tighter compositions, rewarding close viewing with that shimmering amber depth that larger installations can only suggest at distance. The mottled figure, which reads as sweeping gesture in a Princeton lecture hall, here becomes intimate conversation—a fireplace surround, a hallway accent, a built-in cabinet face where the golden-tan warmth radiates against period millwork. As the work moves further south toward Providence, where commercial and institutional programs begin to reassert themselves alongside residential craft, the question becomes how this same optical movement scales back upward without losing the refinement that smaller