Grosse Pointe, where Tudor revivals and colonial estates line streets that dead-end at Lake St. Clair, and where the dark veining of Black Limba — those grey-to-nearly-black streaks threading through golden brown heartwood — mirrors the deliberate contrast these homeowners have always understood between restraint and drama. Unlike the rural workshops of Greenwood, the millwork shops serving Grosse Pointe operate under the exacting eye of architects who specify figured panels flitch by flitch, matching the cathedral-like striping across library walls where the wood's tendency to darken with age becomes not a liability but a slow deepening of character that the house itself seems to demand. Rosebud ships these sequential flitches from Louisville knowing that in communities built on automotive precision, tolerances are not suggestions but doctrine. Yet the same impulse that draws Grosse Pointe cabinetmakers to Black Limba's moody figuring is now pulling demand further south along the coast, where the salt air and wide-open light of